Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, April 9, 2012

Writer - Peer Review

One way to avoid the pitfalls of peer review in the writing classroom is to use the "I heard, I noticed, I wondered" method. With these prompts, you can provide useful feedback to a writer without being too biting in your criticism.



I Heard . . .

As a reviewer, first try to summarize what you think the piece was about. This is the easy part. Tell the writer what you saw as the story or the main idea. As a writer, listen to this section, and try to hear whether or not you communicated what you were trying to communicate.

I Noticed . . .

As a reviewer, tell the author about some of the things that attracted your attention. What worked well? What details seemed especially vivid or striking? What will you remember about this paper? As a writer, think about why the reviewer noticed these things, and how you can make all your writing as effective.

I Wondered . . .

As a reviewer, did you have any questions when you finished reading? Did you not understand what something meant, or why it was included? Did something bother or disturb you? Did you suspect something might have worked better another way? This section is your chance to ask the writer all these questions. As a writer, try to answer the reviewer's questions. Look at your writing again, and see if there is any way to make those points clearer to a reader.

Saturday, April 7, 2012

In Your Write Mind

FreeWare for Writer Inspiration and Collaboration
WordStorm
http://www.lonij.net/wordstorm

The Brainstormer
http://andrewbosley.weebly.com/the-brainstormer.html

Mind Mapping
http://www.mindmeister.com/

Bubbl.us
https://bubbl.us

Lucid Chart
https://www.lucidchart.com

The Story Starter
http://thestorystarter.com/

Creative Writing Prompts
http://creativewritingprompts.com/

Lit Lift (novel generator)
http://litlift.com/

Thirty-six Dramatic Situations Generator
http://www.sff.net/people/julia.west/CALLIHOO/dtbb/ideagen2.htm

Hatch's Plot Bank
http://www.angelfire.com/nc/tcrpress/plots1.html
Rainy Mood (instant white noise)
http://www.rainymood.com/

Simply Noise (white noise)
http://simplynoise.com/

Live 365 (personal radio)
http://www.live365.com/index.live
AutoCrit (Manuscript Editing)
http://www.autocrit.com/

Internet Typewriter
http://writer.bighugelabs.com/

Easy Essay Generator
http://www.theeasyessay.com/


Grammar Girl (Podcasted Writing Tips)
http://grammar.quickanddirtytips.com/

Grubba (online database maker)
http://www.grubba.net/

Google Cloud Connect for Microsoft Office
(online collaboration with Word docs)
http://tools.google.com/dlpage/cloudconnect

TypeWith.Me (collaboration tool)
http://typewith.me/

PrimaryPad (student collaboration tool)
http://primarypad.com/

Zoho (collaboration tool)
http://www.zoho.com
Bib Me (bibliography maker)
http://www.bibme.org/

Decision Maker
http://webdesignfromscratch.com/decisionmaker/

Thought-Provoking Quotes
http://www.quotegarden.com/perspective.html

Thinking Quotes
http://www.quotesworthrepeating.com/philosopher-quotes/

The Art Zone
http://www.nga.gov/kids/zone/zone.htm

Logo Generator
http://www.coolarchive.com/logogenerator.php




Writing Horrors

Paranormal Paragraphs
and Other
Writing Horrors


A Fantastic Writer’s Workshop for 
Grade 12 Urban Language Arts Learners

Writing can be a scary thing for many students. Luckily, this creepy workshop is designed to relax the fears of the reluctant writer. During the spine-tingling two-week language arts unit, students find their voice through a focus on fiendish horror and fantasy short stories. In mini-lessons and micro-lectures, students also learn how to avoid the most common horrible writing habits and ghastly grammar mistakes.

The flexible daily activities of the workshop may include Writing Time, Sharing Time, Status Check-Ins and Mini-Lessons as needed.  Scheduling and instructional focus should be shaped by the process – as student needs and questions arise. Although this unit learning plan includes some specific mini-lessons and activities, they are entirely optional. Consider it to be the mere skeleton of a unit plan.

Workshops can be a monster for teachers to manage since students are working independently on different things at different times. Still, in using the recursive writing process – prewriting, drafting, revising, editing, publishing – learners will be able to chop up the daunting task of short story writing into manageable parts and concentrate on producing fantastic material.

The final stage, publishing and sharing stories in a group Read-Around, ensures that workshop participants have an audience. Deepening their ongoing understanding of the “Six-Traits Plus One” writing framework, learners will also have opportunities to coach each other through various stages of the process. This peer-editing places further emphasis on audience while fostering collaboration during the often intimidating and scary revision phase.



In this unit, learners will:

  • Examine and explore the characteristics of horror and fantasy literature;
     
  • Read and listen to scary short stories;
     
  • Create a fantasy plot and write a descriptive short story;
     
  • Investigate writing conventions and common writing errors;
     
  • Self-evaluate writing and peer-edit using the “Six-Trait” framework.



Instructional Strategies:
The central strategy of this learning plan is the Process Writing approach – as defined by Richard Badger and Goodith White (“A Process Genre Approach to Teaching Writing,” ELT Journal 54-2, 2000) – and described in the Annenberg Learner Writing Workshop series: “Write in the Middle.”

[http://www.learner.org/workshops/middlewriting/prog1.html]

Learners are guided to give feedback using the language of the “Six-Traits Plus One” writing framework.

Lesson planning and handout ideas from:

Velvet McReynolds’ PATS peer-editing strategy outlined in “Write in the Middle”
[http://www.learner.org/workshops/middlewriting/prog7.html]

Marissa Marler – “Creating Your Own Fantasy Story” [http://www.lessonplanspage.com/lacreatingafantasystory612-htm] 

Karen Luchner – “Using Scary Stories to Motivate Students to Read” [http://www.readwritethink.org/classroom-resources/lesson-plans/thrills-chills-using-scary-407.html?tab=4#tabs]




Big Idea: Conventions

[Adjusting use of conventions, structure and vocabulary to effectively communicate a particular mood or style.]



 







Duration
: ten, 50-minute sessions

Learners: A group of 21 mixed ability students from widely diverse cultural backgrounds, mainly Hmong, Black, White and Mexican American. (The group has theoretically had previous instruction on “Six-Traits Plus One” and the general workshop process.)

Materials – Unit Plan Forms: 13 Dreadful Writing Mistakes handout; Fantastic Plots handout; Scary Story Traits; Goosebumps article; Write a Scary Story handout; Horrible Paragraphs; Paranormal Paragraphs; Writing Rubric; Six-Traits Self-Evaluation Checklist; PATS - Peer-Edit Checklist; Writing Conventions Quiz; (3 or 4) selected stories from – Queen of the Cold-Blooded Tales, Stories by Roberta Simpson Brown – instructor’s choice, but three of the best are Whispers, Sleeping Bags and The Wake-Up Call.

Resources / Websites: Goosebumps article online
[http://www.scholastic.ca/goosebumps/books/stine/writeown.htm]




 
Writing Horrors
Core Learning Strategy Map


Writing Standard: 12. 7. 3.
– Write narratives and other creative texts to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Benchmark C. – Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).


Core Objective: I can draft and craft a short story in the fantasy fiction genre.

Learning Target: I can identify the traits of a mysterious, suspenseful or frightening story.
Learning Assessment: mini-lessons, readings, discussions
Learning Target: I can use the writing process to revise a text for clarity and tone.
Learning Assessment: mini-conferences, peer-editing

Core Assessment: Fantasy Horror Short Story - 80%;



Language Standard: 12. 11. 1.
– Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

Benchmark A.    – Apply the understanding that usage is a matter of convention, can change over time, and is sometimes contested.

Core Objective: I can recognize standard and nonstandard use of writing conventions.

Learning Target: I can distinguish standard from nonstandard writing conventions.
Learning Assessment: observation, discussions, mini-lessons

Core Assessment: Writing Conventions Quiz - 20%


Success Opportunity for Urban Learners – SOUL Focus:
Production and Distribution of Writing




"I try to create sympathy for my characters, then turn the monsters loose." 

~ Stephen King


Friday, April 6, 2012

M . A . P . S .

"Aristotle Light"

Mode - Audience - Purpose - Situation


  • Mode
    Persuasive essay, email, lab report, poem, magazine article
  • Audience
    Instructor, peers, members of a discipline, employer or employee, (potential) customer
  • Purpose
    Inform, persuade, woo, criticise, apologize, sell
  • Situation
    Deadline, resources, experience & skills, collaborators




Sunday, April 1, 2012

Urban Writing Classroom Framework


Culturally Inclusive Framework

for the Urban Writing Classroom



Core Theme: Community

Core Practice: Foster and maintain a safe and respectful environment where young people are free to be themselves, free to take chances, and free from fear of making mistakes.

Core Theme: Cultural Relevance

Core Practice: Locate the curriculum in learners’ lives through content that is personally and socially relevant to them. Make the classroom a place of personal empowerment.

Core Theme: Conversation

Core Practice: Find ways to promote and sustain an ongoing class conversation. Encourage personal reflection through writing and discussing.

Core Theme: Routines & Rituals
 
 Core Practice: Establish familiar classroom writing routines, group-building rituals and room rules.

Core Theme: Feedback / Critique 

Core Practice: All students are capable of brilliance. Carefully measure critique, illuminating their gifts instead of burying learners in corrections and rules.
 
Core Theme: Teacher Sharing

Core Practice: Thoughtfully-chosen, pointedly shared writing from the instructor can be beneficial to understanding the writing process and building community.

Core Theme: Spatial Justice

Core Practice: Design flexible floor plans that accommodate diverse young learners and facilitate communication during a variety of individual and group activities.

Core Theme: Professional Development

Core Practice: Stay current on the best research-proven strategies of great writing teachers.















Friday, March 30, 2012

R . A . F . T . s .

The RAFTs Technique is a system to help students understand their role as a writer, the audience they will address, the varied formats for writing, and the expected content. It is an acronym that stands for:

Role of the Writer - Who are you as the writer? An auto mechanic? A warrior? An endangered snail?
   
Audience - To whom are you writing? Is your audience the American people? A friend? Newspaper readers?
   
Format - What form will the writing take? Is it a letter? A classified ad? A speech? A poem?
   
Topic & Strong Verb - What's the subject or the point of this piece? To persuade? Plead? Inform? Apologize?


Almost all RAFTs writing assignments are written from a viewpoint different from the student's, to another audience rather than the teacher, and in a form different from the ordinary theme. Therefore, students are encouraged to use creative thinking and response as they connect their imagination to newly learned information.

 




Thursday, March 29, 2012

Wednesday, March 28, 2012

Writing To Learn

W2L



"It’s more difficult to convince teachers that writing is a learning process than it is to convince them that talk is, because so often teachers use writing as a way of testing. They use it to find out what students already know, rather than as a way of encouraging them to find out. The process of making the material their own -- the process of writing -- is demonstrably a process of learning."





The WAC Clearing House website at Colorado State University posts the following explanation of Writing to Learn (WTL).

Generally, writing-to-learn activities are short, impromptu or otherwise informal writing tasks that help students think through key concepts or ideas presented in a course. Often, these writing tasks are limited to less than five minutes of class time or are assigned as brief, out-of-class assignments.

Because writing-to-learn activities are crucial to many WAC programs (because they best meet teaching goals through writing), this guide presents a great deal of information on writing to learn (WTL), including a detailed rationale, examples, and logistical tips.




Toby Fulwiler and Art Young explain WTL in their book, Language Connections: Writing and Reading Across the Curriculum:

Writing to communicate -- or what James Britton calls "transactional writing"-- means writing to accomplish something, to inform, instruct, or persuade. . . . Writing to learn is different. We write to ourselves as well as talk with others to objectify our perceptions of reality; the primary function of this "expressive" language is not to communicate, but to order and represent experience to our own understanding. In this sense language provides us with a unique way of knowing and becomes a tool for discovering, for shaping meaning, and for reaching understanding.




In Writing to Learn Means Learning to Think, Syrene Forsman advises:

As teachers we can choose between (a) sentencing students to thoughtless mechanical operations and (b) facilitating their ability to think. If students' readiness for more involved thought processes is bypassed in favor of jamming more facts and figures into their heads, they will stagnate at the lower levels of thinking. But if students are encouraged to try a variety of thought processes in classes, they can, regardless of their ages, develop considerable mental power. Writing is one of the most effective ways to develop thinking. 




Writing Across the Curriculum
http://writing2.richmond.edu/wac/wtl.html





Tuesday, March 27, 2012

Mightier Than the Sword

 "If there's a book you really want to read, but it hasn't been written yet, then you must write it."
-- Toni Morrison

"Don't tell me the moon is shining; show me the glint of light on broken glass."
-- Anton Chekhov

"Writing, I think, is not apart from living.  Writing is a kind of double living.  The writer experiences everything twice.  Once in reality and once in that mirror which waits always before or behind."
-- Catherine Drinker Bowen

"Writing is a struggle against silence."
-- Carlos Fuentes




"I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of hunger for life that gnaws in us all."
-- Richard Wright

"True Ease in Writing comes from Art, not Chance,
As those move easiest who have learn'd to dance."
-- Alexander Pope

"Detail makes the difference between boring and terrific writing. It’s the difference between a pencil sketch and a lush oil painting. As a writer, words are your paint. Use all the colors."
-- Rhys Alexander

"Fiction is a lie, and good fiction is the truth inside the lie."
-- Stephen King

"Books are never finished, They are merely abandoned."
-- Oscar Wilde

"Readers, after all, are making the world with you. You give them the materials, but it's the readers who build that world in their own minds."
-- Ursula Le Guin

"No tears in the writer, no tears in the reader."
-- Robert Frost

"The reason for evil in the world is that people are not able to tell their stories."
-- Carl Jung 

"Sharing our stories can also be a means of healing. Grief and loss may isolate us, and anger may alienate us. Shared with others, these emotions can be powerfully uniting, as we see that we are not alone, and realize that others weep with us."
-- Susan Wittig Albert

"I admire anybody who has the guts to write anything at all."
-- E. B. White




"I did not believe political directives could be successfully applied to creative writing . . . not to poetry or fiction, which to be valid had to express as truthfully as possible the individual emotions and reactions of the writer."
-- Langston Hughes

"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."
-- Scott Adams

"All writing is a process of elimination."
-- Martha Albrand


"There is no great writing, only great rewriting."
-- Justice Brandeis

"By writing much, one learns to write well."
-- Robert Southey

"Opportunity dances with those who are already on the dance floor."
-- H. Jackson Brown Jr.


Saturday, March 24, 2012

Friday, December 30, 2011

11:26 AM - No comments

Typing Sentences





There are many different 
types of sentences.


Every sentence contains a basic statement.

Bells rang.
Love is blind.
The dog chased Daryl.
Andrea gave her mother flowers.
The teacher considered him a good student.



The group of words in the statement contain a subject and predicate.

The subject names the "do-er" or "be-er" of the sentence; the predicate does the rest of the work. The statement might use an implied predicate. ("Listen!" . . . implying, "You listen.") A simple predicate consists of only a verb, verb string, or compound verb:

The bells rang.
The bells have been ringing.
The bells rang, and chimed and filled the air.



Sentence Pattern Types:

PERIODIC &
CUMULATIVE

  • The Periodic Sentence -- additional details are placed before the basic statement:
    "Andrea, the tough one, the sullen kid who scoffed at any show of sentiment, gave her mother flowers."
  • The Cumulative (or Loose) Sentence -- basic statement with a string of details added to it:
    "Bells rang, filling the air with joy and bringing people into the streets to hear the news."

Also note --

The Periodic Interruptive -- additional details are added inside the basic statement:
"Love, as everyone knows except those who happen to be afflicted with it, is blind."

The Combination Sentence -- additional details are added before and after the basic statement:



Function Types:
  • Declarative (most of the sentences we use)
  • Imperative ("Don't write about that!")
  • Interrogative (questions --"Why are those bells ringing?")
  • Exclamatory ("That's a fine paragraph!")


Sentence Structure Types: (differ depending on the number and type of clauses)

  • Simple (one independent clause)
    "We drove from Minneapolis to Bismarck without stopping."
  • Compound (more than one independent clause)
    "We were exhausted, but we arrived in time for my father's birthday party."
  • Complex (one independent clause and at least one dependent clause)
    "Although he is now in his eightieth year, he is still quite active."
  • Compound-Complex (more than one independent clause and at least one dependent clause)
    "After it was all over, my dad claimed he knew we were planning something, but we think he was really surprised."



 The Nagging Inner Ear

Suppose you are working with a short, simple sentence: John was angry. This short sentence may sound exactly right inside your paragraph -- just short enough and sharp enough to have the force you want. In that case, leave it alone. But perhaps that nagging inner ear tells you that it isn't quite right; it needs something.

"John, usually the calmest of men, was suddenly, violently angry."

"John, usually the calmest of men, was suddenly, violently angry, so angry that he lost control completely."


Thursday, December 29, 2011

12:39 PM - No comments

Writing an Essay: 10 Steps

1.   Research
2.   Analysis
3.   Brainstorming
4.   Thesis
5.   Outline
6.   Introduction
7.   Body
8.   Conclusion
9.   Format (APA, MLA Style)
10. Language editing