Showing posts with label Research. Show all posts
Showing posts with label Research. Show all posts

Sunday, April 1, 2012

WRiTiNG POWER REMiX


 
An Annenberg Learner Video Jazz Essay


The following composition is an improvisational remix of phrases and quotes found on the soundtrack of Making Writing Meaningful - part two in the Annenberg Foundation’s “Write in the Middle” video series. Although rearranged and re-assembled, all of the following verbiage was taken verbatim from the video’s interviews of Linda Rief, Damond Moodie, Allen Teng, Jenny Beasley and Gloria Hamilton. The implication of this novo liberati translatus is that the urban writing classroom is uniquely positioned as a potentially electrifying place of personal empowerment for diverse learners. Authentic purpose, student choice, and subjects drawn from personal experiences make for engaging and meaningful writing assignments that motivate learners to think in new ways – about themselves and their world – through writing.

AUTHENTiCiTY | R e l e v a n c e 

Real reasons. That’s the beauty of writing. Well, I mean you have to get excited about what you’re writing about. You have to relate to what you’re writing about. Music helps engage students in thinking and learning. You have to feel like there’s a purpose. A major concern of middle school teachers is motivating their students to write. Real audiences. We have a responsibility as teachers to help students connect to their writing and understand that this is something very real. This is not an exercise they’re going through in school that is going to end when they’re done. You can write to newspapers. You could write to your government. You could write, just a letter to a friend, just to get it off your chest. So, that’s the beauty of writing. You have this opportunity to truly express your opinion. To grow as writers middle level students need real reasons for communicating. Real audiences for real reasons.


CHOiCE | E n g a g e m e n t

The recurring question though is -- how to tap into that energy and help students to use it productively? There is the importance of choice in motivating students to write. Choice creates excitement. We need to let them educate us. Young adolescents are full of energy and enthusiasm. The student-centered classroom – it’s where all students feel free to express themselves as writers and thinkers. It takes more energy to be aligned with their interests but – to be an effective educator – well, my best learning happened when I was actively involved, when I cared, when I wanted to participate. Pay attention to what they wear, to what’s on their binder – what they talk about when they’re not talking to you. They’re all interested in music. They’re all interested in each other . . . anything that somebody else is interested in so . . . I find the best thing is to just start with brainstorming and things come out that I never would have expected. Certainly, music. If they’re going to buy into the fact that – ‘I can change people’s minds. I can change the world when I write’ – then they have to understand that in middle school. They have to know that – ‘I have a connection with this, it’s important to me, and I want to change something.’ We have to let them buy into that by letting them choose topics. Choice creates excitement. Excitement creates the product.


SELF-EXPRESSiON | E m p o w e r m e n t

The key to meaningful writing is its connection to self. We interview each other. I have the kids write out a biography of the person they interviewed or they could do their own autobiography. I try to pull them into themselves because I think that’s where they are to begin with, and then start to broaden them out. How well do I know those kids – so I can encourage them to write about things they really care about? I try to get them to think for themselves. The beauty of writing – or one of the beauties of writing, in my opinion – is that you don’t have to feel helpless.  When you feel like something has gone wrong in your life, or something great has happened, you can write about it to get that expression out. You can validate them. They need to see themselves as creative and viable members of a community of writers. They need to believe that their ideas and perceptions are important. They need to have ownership of their writing and they need to realize that writing is power – that it can be a catalyst for change, both in their immediate environment and in the world at large.



Write in the Middle (2004). Making writing meaningful. Retrieved from 

Sunday, February 26, 2012

How to Read the World


The Center for Media Literacy provides a framework “to access, analyze, evaluate and create messages in a variety of forms – from print to video to the Internet” (CML). The useful framework addresses both the process skills and the empowerment component of media literacy through

Five central Concepts / Questions.


1. Constructedness
Key Question    Who created this message?
Core Concept    All media messages are constructed.

2. Format
Key Question    What creative techniques are used to attract my attention?
Core Concept    Media messages are constructed using a media language with its own rules.

3. Audience
Key Question    How might different people understand this message differently from me?
Core Concept    Different people experience the same media message differently.

4. Content
Key Question    What lifestyles, values and points of view are represented in, or omitted from, this message?
Core Concept    Media have embedded values and points of view.

5. Purpose
Key Question    Why is this message being sent?
Core Concept    Most media messages are organized to gain profit and/or power.

Wednesday, February 8, 2012

Ath-Literacy





“Literacy practices associated with interest or involvement in sports can be drawn upon to develop academic skills.”

“We have known for some time that sports involvement teaches young women and men the skills of teamwork, cooperation, delayed gratification and sacrificing self interest for the greater good of the team.”

“Athletes, more than many others, have found ways to work together across multiple lines of difference including race, ethnicity, religion, and socioeconomic status.”

“Use young people’s affinity with sports to engender critical readings of the world --informed ways of reading the world as if it were a text.”

“My first piece of advice for those teachers who are not coaches is to establish powerful relationships with the coaches at their schools. It is important for teachers to see coaches as allies rather than enemies.”

“Sports participation also plays a major role in how young people view themselves.”





Prezi.com -- online presentation maker

Flix - Press -- online video maker


Sports and Media Literacy
http://mediaeducationlab.com/blog/sports-and-media-literacy

The Day I Hit a Home Run
http://thedayihitahomerun.com

Get in the Game
http://sportsbooksforkidsandteens.blogspot.com/2009/09/sports-theme-ideas-for-classroom.html

Sports Themed Behavior Management Board
http://bulletinboardideas.org

Sports Literature and Literacy
http://www.writework.com/essay/sports-literature-and-literacy

National Literacy Trust – UK

http://www.literacytrust.org.uk/sport

Monday, October 17, 2011

3:30 PM - No comments

Critical Literacy Education



The definition of critical literacy found at the website for LEARN NC -- a program of the University of North Carolina at Chapel Hill -- cannot be improved upon. Critical literacy refers to the ability "to read texts in an active, reflective manner in order to better understand power, inequality, and injustice in human relationships." The website clarifies that text is defined as a “vehicle through which individuals communicate with one another using the codes and conventions of society,” and that accordingly, "songs, novels, conversations, pictures, movies, etc. are all considered texts." Critical reading requires readers to consider not only what is being said about a topic, but also who is doing the speaking.

As a skill set that enables readers to interpret messages through a critical lens and challenge the implied power relations in a text, critical literacy skills are connected to social issues.

The term critical literacy was developed by social critical theorists concerned with "dismantling social injustice and inequalities." These theorists are focused on "oppressive and unjust relationships produced by traditional forms of schooling" where teachers assert themselves as the possessors of knowledge. Becoming critically literate means mastering the ability to read texts "in order to better understand whose knowledge is being privileged." There is often an activist component to critical literacy education. The LEARN NC website refers to the work of Linda Christensen, and notes, "by participating in social action projects or creating a public discourse, students may see the relation between curriculum and the world beyond the walls of the school."

Critical literacy education is manifested in the classroom in a multitude of ways.Edward Behrman explains that the development of critical literacy inspires creation of many curricular forms of social justice and exploration. Behrman suggests that the different types of lessons can be devised to examine the power relationships found in textual language and literature -- and that these practices show students that language is never neutral.

Behrman’s research revealed that the most commonly used practices that support critical literacy are: reading supplementary texts; reading multiple texts; reading from a resistant perspective; producing counter-texts; having students conduct research about topics of personal interest; and challenging students to take social action.

Specific classroom activities that could be employed: use of counter-texts, incorporation of new media and teaching style.

Counter-texts involves having students generate texts, including multi-media creations, from a non-mainstream perspective. Counter-texts "may be produced in reading logs, journals, weblogs, personal narratives, and student-created videos."

Incorporating media and technology is another potentially useful strategy for including critical literacy in the classroom.

Lastly, teaching style can promote student understanding of critical literacy. LEARN NC emphasizes the importance of the dynamics between learners and educators saying, "a classroom that acknowledges the critical literacy theory must also challenge traditional hierarchical relationships between the students and teacher."